Chen Style 56 Movements
If you are learning the Chen-style 56 form, names can be hard to remember across languages. This guide gives you a simple reference with:
- English movement name
- Pinyin (how it sounds in Mandarin)
Note: naming and sequence can vary slightly by school, coach, or competition line.
Chen Style 56 Movement Names
| # | Name | Pinyin | Description |
|---|---|---|---|
| 1 | Preparatory Form | Yù bèi shì | Stand upright, calm your breath, and set your structure before movement begins. |
| 2 | Vajra Pounds Mortar | Jīngāng dǎoduì | Sink and rise with rooted legs, then drop power downward through a compact strike. |
| 3 | Lazy About Tying Coat | Lǎn zhā yī | Open the frame, spiral the arms, and settle into a balanced guard posture. |
| 4 | Six Sealing Four Closing | Liù fēng sì bì | Draw inward to neutralize incoming force, then close the centerline with control. |
| 5 | Single Whip | Dān biān | Extend one arm like a whip while the other forms support, creating lateral expansion. |
| 6 | Step Forward, Deflect, Parry and Punch | Bān lán chuí | Step in, redirect, clear the line, and finish with a straight punch from the waist. |
| 7 | Guard the Heart Punch | Hù xīn quán | Protect the chest with one hand while issuing a guarded forward strike. |
| 8 | White Crane Spreads Wings | Bái hè liàng chì | Shift weight and open the arms upward and outward like wings for lift and balance. |
| 9 | Slanting Walk, Oblique Step | Xié xíng ào bù | Move diagonally with coordinated hand-body action to enter from an angle. |
| 10 | Lift and Gather | Tí shōu | Raise and collect the hands and center to prepare the next directional change. |
| 11 | Advance with Oblique Step | Qián tàng ào bù | Advance on a diagonal line while maintaining rooted lower body and elastic upper body. |
| 12 | Cover Hand and Punch | Yǎn shǒu gōng chuí | Use one hand to shield or clear, then issue a short, direct punch. |
| 13 | Cannon over the Back | Pī shēn chuí | Rotate the torso and release a forceful strike that wraps over the back line. |
| 14 | Back Fold and Lean | Bèi zhé kào | Fold through the spine and hips, then issue body pressure or shoulder-style force. |
| 15 | Blue Dragon Emerges from Water | Qīng lóng chū shuǐ | Rise from a lower level and project forward with a lifting, emerging action. |
| 16 | Chopping Hand | Zhǎn shǒu | Deliver a downward or diagonal chopping action with connected body power. |
| 17 | Turn Flower, Dancing Sleeves | Fān huā wǔ xiù | Rotate and circle the arms with loose, flowing transitions to redirect force. |
| 18 | Sea-Bottom Flower Turn | Hǎi dǐ fān huā | Dip and spiral low, then turn the body to change angle and direction. |
| 19 | Left Sweep Kick | Zuǒ cā jiǎo | Sweep the left leg in a controlled arc while keeping the torso stable. |
| 20 | Right Sweep Kick | Yòu cā jiǎo | Sweep the right leg in an arc with balance, timing, and coordinated arm support. |
| 21 | Heel Kick | Dēng yī gēn | Lift and extend a forward heel kick with rooted standing leg and aligned hips. |
| 22 | Advance with Oblique Step | Qián tàng ào bù | Re-enter diagonally with forward intent while preserving center and structure. |
| 23 | Ground Strike Punch | Jī dì chuí | Drop level and issue a low strike toward the ground line with body connection. |
| 24 | Turn Body, Double Lift Kick | Fān shēn èr qǐ jiǎo | Turn the torso and perform a double lifting kick action with coordinated timing. |
| 25 | Guard the Heart Punch | Hù xīn quán | Maintain center protection and deliver a direct guarded punch. |
| 26 | Tornado Kick | Xuàn fēng jiǎo | Spin through the hips and waist to deliver a circular, whipping kick. |
| 27 | Right Heel Kick | Yòu dēng yī gēn | Extend a right-side heel kick with controlled core and stable support leg. |
| 28 | Cover Hand and Punch | Yǎn shǒu gōng chuí | Deflect or cover with one hand, then drive a compact punch from the center. |
| 29 | Small Capture and Strike | Xiǎo qín dǎ | Use a short seizing action followed by a close-range strike. |
| 30 | Embrace Head, Push Mountain | Bào tóu tuī shān | Wrap and contain upper space, then issue a two-hand forward push. |
| 31 | Six Sealing Four Closing | Liù fēng sì bì | Fold inward and close the frame to control centerline and distance. |
| 32 | Single Whip | Dān biān | Re-open into the signature lateral expansion with whip-hand structure. |
| 33 | Cloud Hands | Yún shǒu | Step sideways while the hands circle smoothly like clouds across the body. |
| 34 | High Pat on Horse | Gāo tàn mǎ | Rise slightly and place a high forward hand action with light, agile footwork. |
| 35 | Right Linked Cannon Fists | Yòu lián zhū pào | Issue a chain of right-side explosive punches with fast waist-driven rhythm. |
| 36 | Left Linked Cannon Fists | Zuǒ lián zhū pào | Continue with left-side linked explosive punches while maintaining root. |
| 37 | Flash Through the Back | Shǎn tōng bèi | Open suddenly through the torso and back to express quick penetrating force. |
| 38 | Finger-Crotch Punch | Zhǐ dāng chuí | Aim a low-line strike while protecting your center and stance integrity. |
| 39 | White Ape Offers Fruit | Bái yuán xiàn guǒ | Present and project a forward offering-style hand action with springy intent. |
| 40 | Six Sealing Four Closing | Liù fēng sì bì | Re-collect and seal space, controlling contact before the next opening. |
| 41 | Single Whip | Dān biān | Expand outward again with clear frame, reach, and rooted base. |
| 42 | Sparrow Lands, Dragon Coils Low | Què dì lóng | Lower the body deeply while coiling the torso for compact power. |
| 43 | Step Up Seven Stars | Shàng bù qī xīng | Step in and lift guarding points upward in a compact defensive-offensive shape. |
| 44 | Step Back, Ride Tiger | Xià bù kuà hǔ | Retreat with control while maintaining readiness to counter from a lowered stance. |
| 45 | Turn Body, Double Lotus Kick | Zhuǎn shēn shuāng bǎi lián | Turn and deliver a double lotus-style sweeping kick with circular momentum. |
| 46 | Head-Level Cannon Punch | Dāng tóu pào | Issue a direct, forceful strike toward head level with explosive intent. |
| 47 | Vajra Pounds Mortar | Jīngāng dǎoduì | Repeat the rooted drop-and-strike action to reinforce structure and power. |
| 48 | Lazy About Tying Coat | Lǎn zhā yī | Return to an open guard posture with relaxed but ready alignment. |
| 49 | Six Sealing Four Closing | Liù fēng sì bì | Draw in and seal, maintaining center control before final transitions. |
| 50 | Single Whip | Dān biān | Extend to the side once more with unified whole-body expansion. |
| 51 | Cloud Hands | Yún shǒu | Flow through lateral stepping and circular hand transitions to soften tempo. |
| 52 | High Pat on Horse | Gāo tàn mǎ | Rise and place a high forward hand action to set up the ending sequence. |
| 53 | Cross Kick | Shí zì jiǎo | Kick through a crossing line while keeping the torso upright and controlled. |
| 54 | Finger-Crotch Punch | Zhǐ dāng chuí | Deliver a final low-line strike with clear structure and rooted stance. |
| 55 | White Ape Offers Fruit | Bái yuán xiàn guǒ | Express a forward presenting action with springy, connected whole-body force. |
| 56 | Closing Form | Shōu shì | Settle the breath and posture, returning to neutral with calm and balance. |
Quick Pronunciation Tips
qsounds likechin "cheese" (lighter).xsounds likeshin "she" (softer).zhsounds likejin "jam" with the tongue curled back.- Tone marks matter, but your teacher's spoken rhythm is most important.